OPERA / Metropolitan Opera House / Nueva York
Durante estos tiempos difíciles, el Metropolitan Opera House de Nueva York espera iluminar la vida de su audiencia, aun cuando el escenario esté oscuro. Todos los días, mientras esté cerrado debido a la pandemia del coronavirus, se presentará una repetición de la serie de la compañía Live in HD, la cual estará disponible para streaming gratuito en su página web desde las 19:30, hasta terminar de ver a las 18:30 del día siguiente (hora de Chile), e incluye representaciones completas de los últimos 14 años. La Opera de Nueva York informa que miles de amantes de la ópera se han sumado simultáneamente a las presentaciones por lo que la página podría presentar ocasionalmente sobredemanda y algunas dificultades en la web.
Lunes 01 de junio
Bellini’s I Puritani
Starring Anna Netrebko, Eric Cutler, Franco Vassallo, and John Relyea, conducted by Patrick Summers. From January 6, 2007.
A saga of star-crossed love and family drama set against the strife of the 17th-century English Civil War, Bellini’s bel-canto gem is best known for its mad scene, one of the repertory’s most spectacular. Elvira, a young Puritan woman, is set to marry Arturo, a royalist. But when his duty to the crown comes between them, and Elvira finds herself abandoned on her wedding day, she descends into madness with a breathtaking outpouring of virtuosity that only this style of opera can deliver.
Martes 02 de junio
Starring Marlis Petersen, Susan Graham, Daniel Brenna, Paul Groves, Johan Reuter, and Franz Grundheber, conducted by Lothar Koenigs. From November 21, 2015.
Few existences are more perilous than those of opera heroines, who must contend with an inexhaustible supply of lethal hazards. But even by such standards, Berg’s Lulu tells a particularly harrowing tale. Based on two plays by Frank Wedekind, it is the story of the ultimate femme fatale, who seduces a series of men, kills or causes the death of four of them, is herself victimized along the way, and is ultimately slain by Jack the Ripper while working as a prostitute. Throughout, Berg provides depth, ambiguity, and psychological impact with his unsettling and unforgettable score, prodigious in complexity and power.
Miércoles 03 de junio
Gluck’s Orfeo ed Euridice
Starring Danielle de Niese, Heidi Grant Murphy, and Stephanie Blythe, conducted by James Levine. From January 24, 2009.
The immortal Orpheus myth—something of an origin story for the power of music—has inspired numerous operas and other compositions, including this 1762 masterpiece by Christoph Willibald Gluck. A prime example of what has come to be known as “reform opera,” Orfeo ed Euridice strips away the self-conscious virtuosity and labyrinthine plotlines common in earlier 18th-century opera, replacing them with musical and emotional directness intended to draw the audience more deeply into the drama.
Jueves 04 de junio
Starring Shirley Verrett, Luciano Pavarotti, and Cornell MacNeil, conducted by James Conlon. From December 19, 1978.
In his classic potboiler, Puccini stirs together some of humanity’s strongest motivating forces—love and loyalty, fear and cruelty—to create an operatic thriller that sinks its teeth into the listener with the opening chords and never lets go. Taking place in Rome in 1800, the story concerns a fiery yet devoted diva, the painter/revolutionary she loves, and a sadistic police chief determined to crush political rebellion and claim Tosca for himself. All three are among opera’s most indelible characters.
Viernes, 05 de junio
Thomas Adès’s The Exterminating Angel
Starring Audrey Luna, Amanda Echalaz, Sally Matthews, Sophie Bevan, Alice Coote, Christine Rice, Iestyn Davies, Joseph Kaiser, Frédéric Antoun, David Portillo, David Adam Moore, Rod Gilfry, Kevin Burdette, Christian Van Horn, and John Tomlinson, conducted by Thomas Adès. From November 18, 2017
Based on Luis Buñuel’s surrealist film about an invisible force that prevents the attendees of a dinner party from leaving, Thomas Adès’s modern opera is a powerful exploration of isolation and confinement that feels particularly relevant today. Adès creates a unique and captivating sound world, incorporating a number of unusual instruments into the orchestra and asking for increasingly acrobatic vocal feats from the singers to match the escalating confusion and desperation of their characters as their captivity stretches endlessly on.
Sábado 06 de junio
Starring Sonya Yoncheva, Aleksandrs Antonenko, and Željko Lučić, conducted by Yannick Nézet-Séguin. From October 17, 2015.
In his towering penultimate opera, Verdi distills Shakespeare’s tragedy to its purest elements and demonstrates his unsurpassed mastery of characterization and pacing. Unlike his earlier works, which featured many memorable, self-contained arias, duets, and ensemble numbers, Otello proceeds almost seamlessly, with no interruption of the dramatic momentum. Iago’s duplicity, Desdemona’s wrongful death, Otello’s fall—all are made overwhelmingly visceral in a work that shows both Verdi and opera itself at the height of their powers.
Domingo 07 de junio
Starring Renée Fleming, Michael Schade, and Thomas Hampson, conducted by Jesús López-Cobos. From December 20, 2008.
It is the most operatic of scenarios: The devotion of an ascetic monk who has dedicated his life to God is tested against the allure of the world’s most voluptuous, seductive courtesan. And in this glorious, rarely performed jewel, Massenet milks the melodrama for all it’s worth, clothing the story in music as glamorous and sensual as the seductive title character herself—portrayed in this 2008 Live in HD performance by the great Renée Fleming.